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THOSE who knew the widow Lesueur declared that she was quite incapable of the villainous and spiteful action which landed poor Joséphine Palmier in the dock for theft. This may or may not be so. Citoyenne Lesueur had many friends, seeing that she was well-to-do and in good odour with all the Committees and Sections that tyrannized over humble folk in a manner which recalled the very worst days of the old régime, to the distinct advantage of the latter. Moreover, Achille Lesueur was a fine man, with a distinct way with the women. He had a glossy black moustache and flashing dark eyes, since he was a true son of the South, rather inclined to be quarrelsome; and he had very decided views on politics, had Achille. You should hear him singing the Carmagnole: "Ca ira! Ca ira!" and "Les aristos à la lanterne!" He did it so lustily, it verily sent a thrill all down your spine.
He was for destroying everything that pertained to the old order: titles, of course, and private ownership of every sort and kind, and the lives of all those who did not agree with him. Land must belong to the nation, and all that grew on the land and was produced under the earth or brought out of the sea. Everything must belong to the people: that was Achille's creed. Houses and fields and cattle and trees and women. Oh, above all, women! Women were the property of the nation.
That was the grand new creed, which had lately been propounded at Achille's Club--the Cordeliers. And everybody knows that what the Cordeliers discuss to-day becomes law by decree of the National Assembly the day after to-morrow.
Now, there were many who averred that Achille
Lesueur became a devotee of that creed only after
Joséphine Palmier, his mother's
maid-of- Did I mention the fact that the widow Lesueur
was very well-to-do, that she owned an excellent little
business for the sale of wines, both wholesale and retail,
and that Achille's creed that everything should belong to
the people did not go to the length of allowing, say, Hector
and Alcibiade, to help themselves to a stray bottle or so of
the best Roussillon which happened to be standing invitingly
on his mother's counter?
How he explained this seeming discrepancy in
his profession of faith I do not pretend to say. Perhaps he
did not consider it a discrepancy, and drew a firm line
between the ownership of the people and the dishonesty of
individuals. Be that as it may, Achille Lesueur had made up
his mind that he was in love with Joséphine Palmier
and that he would honour her by asking her to become his
wife.
She refused Now she still looked pale and was not
over-plump; but the Citizeness Lesueur told all her
neighbours that the wench had a voracious appetite, very
difficult to satisfy, and that in accordance with the
national decree, she was being treated as a friend of the
house.
And now this wanton ingratitude!
Joséphine Palmier, a waif out of the gutter, refusing
the hand of Achille, his mother's only son, in marriage!
Ah, ça! Was the baggage
perchance an aristocrat in disguise? One never knew these
days! Half-starved aristocrats were glad enough to share the
bread of honest citizens in any capacity; and it was a
well-known fact that the ci-devant Comtesse d'Aurillac had
been cook to Citizen Louvet before she was sent as a traitor
and a spy to the guillotine.
Achille was persistent, and Joséphine
obstinate. Citoyenne veuve Lesueur, whilst watching
the growth of her son's passion, waxed exasperated.
Then the crisis came.
Achille's passion reached its climax, and the
widow Lesueur's anger no longer knew bounds. The baggage
must go. Had anyone ever seen such wanton
"Take your rags and chattels with you,
my wench, and go!"
And Joséphine, tearful, humiliated,
anxious for the future of pauvre maman, who was
quietly starving in a garret whilst her daughter earned a
precarious livelihood for both as a household drudge, put
together her few tiny possessions This had occurred in the late afternoon of
the 6th Floréal, which corresponds with the
25th day of April of more ordinary calendars.
On the morning of the 7th, which was
Saturday, Citoyenne Lesueur came downstairs to the shop as
usual, a little after six, took down the shutters, and
started to put the place tidy for the day's work; when,
chancing to look on the drawer which contained the takings
of the week, she saw at once that it had been tampered with,
the lock forced, the woodwork scratched.
With hands trembling with anxiety, the worthy
widow fumbled for her keys, found them, opened the drawer,
and there was confronted with the full evidence of her
misfortune. Two hundred francs had been abstracted from the
till--oh! the citoyenne was quite positive as to
that, for she had tied that money up separately with a piece
of string and set it in a special corner of the drawer. As
for the baggage--eh! was not her guilt patent to everyone?
To begin with, she had been dismissed for bad
conduct the evening before, turned out of the house for
immoral ways, with which Citoyenne Lesueur had only put up
all this while out of pity and because the girl was so poor
and so friendless. Then there was the testimony of Achille.
He had returned from his Club at ten o'clock that evening.
He was positive as to the time, because the clock of the
Hôtel de Ville was striking the hour at the very
moment when he saw Joséphine Palmier outside his
mother's shop. She was wrapped in a dark cloak, and carried
a bundle under her arm. He-- He spoke to her, it seems, called her by
name; but she did not respond, and hurried by in the
direction of the river. Achille was very much puzzled at
this incident, but the hour being so late he did not think
of waking his mother and telling her of this strange
rencontre, nor did he think of going into the shop to
see if everything was in order. What would you? One does not
always think of everything!
But there the matter stood, and the money was
gone. And Citoyenne veuve Lesueur called in the Chief
Commissary of the Section and gave her testimony, and
attested as a patriot and a citizen against
Joséphine, known to her as Palmier. That this was an
assumed name, the worthy widow was now quite positive. That
Joséphine was nought but an aristo in disguise looked
more and more likely every moment.
The citoyenne recalled many an
incident. Name of a name, what a terrible affair! If only
she had not been possessed of such a commiserating heart,
she would have turned the baggage out into the street long
ago.
But now, what further testimony did any
Commissary want, who is set at his post by the Committee of
Public Safety for the protection of the life and property of
honest citizens and for the punishment of bourgeois and
aristos As for Achille, he attested and deposed,
fumed, raged, and swore; would have struck the Citizen
Commissary had he dared, when the latter cast doubt upon
his-- Achille was beside himself with rage. Imagine
his word being doubted! What was this glorious Revolution
coming to, he desired to know? In the end, he vowed that
Joséphine Palmier was both a thief and an aristocrat,
but that he--Achille Lesueur, the most soulful and selfless
patriot the Republic had ever known--was ready to exercise
the rights conferred upon him by the recent decree of the
National Convention and take the wench for his wife;
whereupon she would automatically become his property, and,
as the property of the aforesaid soulful and selfless
patriot, be no longer amenable to the guillotine.
Achille had inherited that commiserating
heart from his mother apparently; and the Chief Commissary
of the Section, himself a humane and a just man, if somewhat
weak, greatly approved of this solution to his difficulties.
Between ourselves, he did not believe very firmly in
Joséphine's guilt, but would not have dared to
dismiss her without sending her before the Tribunal lest
this indulgence on his part be construed into trafficking
with aristos.
All would then have been well, but that
Joséphine Palmier, from the depths of the prison
where she had been incarcerated for three days, absolutely
refused to be a party to this accommodating arrangement. She
refused to be white-washed by the amorous hands of Achille
Lesueur, declared that she was innocent and the victim of an
abominable conspiracy hatched by mother and son in order to
inveigle her into a hated marriage.
Thus the matter became very serious. From a
mere question of theft, the charge had grown into one of
false accusation, of conspiracy against two well-known and
highly respected citizens. The Citizen Chief Commissary
scratched his head in uttermost perplexity. The trouble was
that he did not believe that the accusation was a false one.
In his own mind, he was quite certain that the widow and her
precious son had adopted this abominable means of bringing
the recalcitrant girl to the arms of a hated lover.
But, name of a name! what is a Commissary to
do? Being a wise man, Citizen Commissary Bourgoin referred
the whole matter to a higher authority: in other words, he
sent the prisoner to be tried by the Revolutionary Tribunal,
the Tribunal Extraordinaire, where five judges and a
standing jury would pronounce whether Joséphine
Palmier was a traitor, an aristo, as well as a thief, and
one who has trafficked with English spies for the
destruction of the Republic.
And here the unfortunate girl is presently
arraigned, charged with a multiplicity of crimes, any one of
which will inevitably lead her to the guillotine.
Citizen Fouquier-Tinville, the
Attorney-General, has the case in hand. Citizen Dumas, the
Judge-President, fixes the accused with his pale,
threatening eye. The narrow court is crowded to the ceiling.
Somehow, the affair has excited public interest, and Achille
Lesueur and his widowed mother, being well-to-do sellers of
good wine, have many friends.
Attorney-General Fouquier-Tinville has read
the indictment. The accused stands in the dock facing the
five judges, with a set, determined look on her face. She
wears a plain grey frock with long, narrow sleeves down to
her pale, white hands, which accentuate the slimness of her
appearance. The white kerchief round her shoulders and the
cap which conceals her fair hair are spotlessly clean.
Maman has carefully washed and ironed them herself
and brought them to Joséphine in the prison, so that
the child should look neat before her judges.
"Accused, what answer do you give to the
indictment?" the Judge-President questions sternly.
"I am innocent," the girl replies
firmly. "I was not in the Rue des Enfers at the hour
when yonder false witness declares that he spoke with
me."
Achille, who sits on a bench immediately
below the jury, devours the girl with his eyes. Every now
and again he sighs, and his red, spatulated hands are
clasped compulsively together. At Joséphine's last
words, spoken in a tone of unutterable contempt, a crimson
flush spreads over his face, and his teeth--white and sharp
as those of some wild, feline creature--bury themselves in
his fleshy lower lip. His mother, who sits beside him,
demure and consequential in sober black with open-work
mittens on her thin, wrinkled hands, gives Achille a warning
look and a scarce-perceptible nudge. It were not wise to
betray before these judges feelings of which they might
disapprove.
"I am innocent!" the girl insists.
"I do not know why the Citizeness Lesueur should try
and fasten such an abominable crime on me."
Here the Attorney-General takes her up
sharply.
"The Citizeness Lesueur cannot be
accused of tr ying to make you out a thief, since her only.
son is prepared to make you his wife."
"I would rather die accused of the
vilest crimes known upon this earth," she retorts
firmly, "than wed a miserable liar and informer!"
Achille utters a cry of rage not unlike that
of a wild beast. Again his mother has to restrain him. But
the public is in sympathy with him. Imagine that pitiful
aristo scorning the love of so fine a patriot!
The Attorney-General is waxing impatient.
"If you are innocent," he says
tartly, "prove it. The Revolutionary Committee of your
Section has declared you to be a Suspect, and ordered your
arrest as such. The onus to prove your innocence now rests
with you."
"At ten o'clock on the night of the 6th
Floréal, I was with my mother," the girl
insists calmly, "in the Rue Christine--at the opposite
end of the city to where the Rue des Enfers
is situated."
"Prove it," reiterates the
Attorney-General imperturbably.
"My mother can testify--" the girl
retorts.
But Citizen Fouquier-Tinville shrugs his
shoulders.
"A mother is not a witness," he
says curtly. "Mothers have been known to condone their
children's crimes. The law does not admit the testimony of a
mother, a father, a husband, or a wife. Was anyone else at
the Rue Christine that night--one who saw you, and can swear
that you could not possibly have been at the Rue des Enfers
at the hour to which the principal witness hath
attested?"
But this time the girl is dumb. Her sensitive
lips are drawn closely together, as if they would guard a
secret which must remain inviolate.
"Well?" the Attorney-General goes
on with a sneer. "You do not reply. Where is the
witness who can testify that you were in the Rue Christine,
at the other end of Paris, at the hour when the principal
witness swears that he saw you in the Rue des Enfers?"
Again the accused gives no reply. And now it
is the turn of the five judges to become insistent first,
then impatient, and finally very angry. Every one of them
has, in turn, put the same proposition to the accused:
"You say that the principal witness
could not have seen you in the Rue des Enfers at ten o'clock
of the 6th Floréal, because at that hour you
were in the Rue Christine. Well, prove it!"
And every one of them has received the same
mute answer: an obstinate silence, the sight oś a face pale
and drawn, and a glance from large, purple-rimmed eyes that
have a haunting, terrified look in them now.
In the end, the Judge-President sums up the
case and orders the jury to "get themselves
convinced". And this they must do by deliberating and
voting audibly in full hearing of the public; for such is
the law to-day.
For awhile thereupon, nothing is heard in the
court save that audible murmur from the stand where the jury
are "getting themselves convinced". The murmur
itself is confused; only from time to time a word, a broken
phrase, penetrates to the ear of the public or to that of
the unfortunate girl who is awaiting her doom. Such words as
"obvious guilt", or "no doubt a
traitor", "nought but an aristo", "the
guillotine", occur most frequently; especially
"the guillotine". It is such a simple solver of
problems, such an easy way to set all doubts at rest!
The accused stands in the dock facing the
judges. She does not glance in the direction of the jury.
She seems like a statue fashioned of alabaster, a ghost-like
harmony in grey and white, her kerchief scarce whiter than
her cheeks.
Then suddenly there is a sensation. Through
the hum of the jury "debating audibly", a raucous
voice is raised from out the body of the public, immediately
behind the dock.
"Name of a dog! Why, Cyrano lodges at
No. 12, Rue Christine. He was there on the evening of the
6th. Eh, Cyrano? En avant, my ancient!"
"Cyrano, en avant!" The
chorus is taken up by several men in ragged shirts and
blouses, to the accompaniment of ribald laughter and one or
two coarse jokes.
The jury cease their "audible
deliberation". Remember that this Tribunal
Extraordinaire is subject to no law forms. Judges and
jury are here to administer justice as they understand it,
not as tradition--the hated traditions of the old
régime--had it in the past. They are here principally
in order to see that the Republic suffers no detriment
through the actions of her citizens; and there is no one to
interfere with them as to how they accomplish this laudable
end.
This time, all of them being puzzled by the
strangeness of the affair--the singular dearth of witnesses
in such a complicated case--they listen to the voice of the
public: vox populi suits their purpose for the nonce.
So, at an order from the Judge-President,
someone is hauled out of the crowd, pushed forward into the
witness-box, hustled and bundled like a bale of goods: a
great, hulking fellow with muscular arms and lank, fair hair
covered with grime. He is a cobbler by trade, apparently,
for he wears a leather apron and generally exhales an odour
of tanned leather. He has a huge nose, tip-tilted and of a
rosy-purple hue; a perpetual tiny drop of moisture hangs on
his left nostril, whilst another glistens unceasingly in his
right eye. His appearance in the witness-box is greeted by a
round of applause from his friends.
"Cyrano!" they shout gaily, and
clap their hands. " Vivat, Cyrano!"
He draws his hand slowly across his nose and
smiles, a shy, self-deprecating smile which sits quaintly on
one so powerfully built.
"They call me Cyrano, the
comrades," he says in a gentle, indulgent voice,
addressing the Judge-President, "because of my nose. It
seems there was once a great citizen of France called
Cyrano, who had a very large nose, and----"
"Never mind about that," the
Judge-President breaks in impatiently. "Tell us what
you know."
"I don't know much, Citizen," the
man replies with a doleful sigh. "The comrades, they
will have their little game."
"What is your name, and where do you
lodge?"
"My name is Georges Gradin, and I lodge
at No. 12, Rue Christine."
He fumbles with one hand inside his shirt,
for he wears no coat, and out of that mysterious receptacle
he presently produces his certificatory Carte de
Civisme--his identity card, what?--which the sergeant of
the Revolutionary guard, who stands beside the witness-box,
snatches away from him and hands up to the Judge-President.
Apparently the document is all in order, for
the Judge returns it to the witness; then demands curtly:
"You know the widow Palmier?"
"Yes, Citizen Judge," replies the
witness. "She lives on the top floor and my shop is
down below. On the night of the 5th, I was in the lodge of
the Citizen Concierge at ten o'clock when someone rang the
front-door bell. The concierge pulled the communicating-cord
and a man came in and walked very quickly past the lodge on
his way to the back staircase; but not before I had seen his
face and recognized him as one who has frequently visited
the widow Palmier."
"Who was it?" queries the
Judge-President.
"I don't know his name, Citizen
Judge," Gradin replies slowly, "but I know him for
a cursed aristocrat, one who, if I and the comrades had our
way, would have been shorter by a head long ago."
He still speaks in that same shy,
self-deprecating way, and there is no responsive glitter in
his blue eyes as he voices this cold-blooded, ferocious
sentiment. The judges suddenly sit up straight in their
chairs, as if moved by a common spring. They had not
expected these ultra-revolutionary terrorist opinions from
the meek-looking cobbler with the watery eyes and the huge,
damp nose. But the Judge-President figuratively smacks his
lips, as does also Attorney-General Fouquier-Tinville. They
have both already recognized the type of man with whom they
have to deal: one of your ferocious felines, gentle in
speech, timid in manner and self-deprecating; but one who
has sucked in bloodthirsty Marat's theories of vengeance and
of murder, by every pore of his grimy skin, and hath
remained more vengeful far than Danton, more relentless than
Robespierre.
"So the principal witness in this
mysterious case is an aristo?" the Judge-President puts
in thoughtfully. "Where does he live?"
"That I do not know, Citizen
Judge," Gradin replies in his meek, simple way.
"But I can find him," he adds, and solemnly wipes
his nose on his shirt-sleeve.
"How?" queries the Judge.
"That is my affair, Citizen," says
Gradin imperturbably. "Mine, and the comrades!"
Then he turns to the body of the court, there where in a
compact mass of humanity a number of grimy faces are seen,
craned upwards in order to catch full sight of the man in
the witness-box. "Eh, comrades?" he says to them.
"We can find the aristo, what? "
There is a murmur of assent, and a
reiteration of the ribald joke of awhile ago. The
Judge-President raps upon his desk with the palm of his
hand, demands silence peremptorily. When order is restored,
he turns once more to the witness.
"Your affair!" he says curtly.
"Your affair! That is not enough. The law cannot accept
the word of all and sundry who may wish to help in its
administration, however well-intentioned they may be; and it
is the work of the Committee of Public Safety to find such
traitors and aristos as are a danger to the State. You and
your comrades are not competent to deal with so serious a
matter."
"Not competent, Citizen Judge?"
Georges Gradin queries meekly. "Then I pray you look at
the accused and see if we are not competent to find the
aristo whom she is trying to shield."
He gave a short, dry laugh, and pointed a
long, stained finger at the unfortunate girl in the dock.
All eyes were immediately turned to her. Indeed, it required
no deep knowledge of psychology to interpret accurately the
look of horror and of genuine fear which literally distorted
Joséphine Palmier's pale, emaciated face. And now,
when she saw the eyes of the five judges fixed sternly upon
her, a hoarse cry escaped her trembling lips.
"It is false!" she cried, and clung
to the bar of the dock with both hands as if she were about
to fall. "The man is lying! No one came that evening to
maman's lodgings. There was no one there but
maman and I."
"Give me and the comrades till
to-morrow, Citizen Judge," Gradin interposed meekly;
"and we'll have the aristo here, to prove who it is
that is lying now."
The Moniteur, of the 10th
Floréal, year 1, which gives a detailed
account of that memorable sitting of the Tribunal
Extraordinaire, tells us that after this episode there
was a good deal of confusion in the court. The jury, once
more ordered by the judges to deliberate and to vote
audibly, decided that the principal witness on behalf of the
accused must appear before the court on the morrow at three
o'clock of the afternoon; failing which, Joséphine
Palmier would be convicted of perjury and conspiracy
directed against the persons of Citizeness veuve
Lesueur and her son Achille, a crime which entailed the
death sentence.
Gradin stepped down from the witness-box, a
hero before the public. He was soon surrounded by his
friends and led away in triumph.
As for Achille and his mother, they had
listened to Georges Gradin's evidence with derision rather
than with wrath. No doubt they felt that whichever way the
affair turned new they would have ample revenge for all the
disdain they had suffered at the hands of the unfortunate
Joséphine.
The Moniteur concludes its account of
the episode by the bald statement that the accused was taken
back to the cells in a state of unconsciousness.
The public was on tenterhooks about the whole
affair. The latter had the inestimable charm which pertains
to the unusual. Here was something new--something different
to the usual tableau of the bourgeois or the aristocrat
arraigned for spying or malpractices against the safety of
the Republic; to the usual proud speech from the accused,
defying the judges who condemned; to the usual brief
indictment and swift sentence, followed by the daily
spectacle of the tumbril dragging a few more victims to the
guillotine.
Here, there was mystery; a secret jealously
guarded by the accused, who apparently preferred to risk her
neck rather than drag some unknown individual--an aristo
evidently, and her lover--before the tribunal, even in the
mere capacity of witness.
And so the court is crowded on this second
day of Joséphine's trial, with working-men and
shopmen, with women and some children. A sight, what? This
girl, half-aristocrat, half-maid-of- And will Cyrano produce the principal witness
as he promised that he would do? A fine fellow, that Cyrano,
and hater of aristos! Name of a name, how he hated them!
The court is crowded; the judges waiting. The
accused, more composed than yesterday, stands in the dock,
grasping the rail with her thin, white hands, her whole
slender body slightly bent forward, as if in an attitude of
tense expectancy.
Anon, Georges Gradin appears upon the scene,
is greeted with loud guffaws and calls of
"Vivat, Cyrano!" He is pushed along,
jostled, bundled forward, till he finds himself once more in
the witness-box, confronting the Judge-President, who
demands sternly:
"The witness you promised to find--the
aristocrat "Gone, Citizen Judge!" Gradin
exclaims, and throws up his arms with a gesture of
desperation. "Gone; the canaillee scoundrel! The
traitor!"
"Gone? Name of a dog, what do you
mean?"
It is Fouquier-Tinville who actually voices
the question. But the Judge-President has echoed it by
bringing his heavy fist down with a crash upon his desk. The
other judges, too, have asked the question by gesture,
exclamation, every token of wrath. And the same query has
been re-echoed by a hundred throats, rendered dry and
raucous with excitement.
"Gone? Where? How? What do you
mean?"
And Gradin, meek, ferocious, with great hairy
hands clawing the rail of the witness-box, explains.
"We scoured Paris all last night, the
comrades and I," he begins, in short, halting
sentences. "We knew one or two places the aristo was
wont to haunt--the Café de la Montagne, the Club
Républicain, the Bibliothèque de la Nation.
That is how we meant to find him. We went in bands, two and
three of us at a time. We did not know where he lodged; but
we knew we should find him at one of those places--then we
would tell him that his sweetheart was in peril--we knew we
could get him here-- But he has gone--gone; the scoundrel,
the canaille! They told us at the Club
Républicain he had been gone five days . . . got a
forged passport through the agency of those abominable
English spies--the Scarlet Pimpernel, what? It was all
arranged the night of the 6th, when he went to the Rue
Christine, and the accused and her mother were to have
joined him the next day. But the accusation was launched by
that time and the Palmiers, mother and daughter, were
detained in the city. But he has gone! The thief! The
coward!"
He turned to the crowd, amongst whom his
friends were still conspicuous, stretched out his long,
hairy arm, and shook his fist at an imaginary foe.
"But me and the comrades will be even
with him yet! Aye, even!" he reiterated, with that
sleek and ferocious accent which had gained him the
confidence of the judges. "And in a manner that will
punish him worse than even the guillotine could have done.
Eh, comrades?"
The Judge-President shrugs his shoulders. The
whole thing has been a failure. The accused might just as
well have been condemned the day before and much trouble
would have been saved.
Attorney-General Fouquier-Tinville alone
rejoices. His indictment of the accused would now stand in
its pristine simplicity: "Joséphine Palmier,
accused of conspiring against the property and good name of
Citizeness Lesueur and her son." A crime against the
safety of the Republic. The death sentence to follow as a
natural sequence. Fouquier-Tinville cares nothing about a
witness who cannot be found. He is not sure that he ever
believed in the latter's existence, and hardly listens to
Georges Gradin, still muttering with sleek ferocity:
"I'll be even with the aristo!"
The Judge-President, weary, impatient,
murmurs mechanically: "How?"
Georges Gradin thoughtfully wipes his nose,
looks across at the accused with a leer on his face, and a
sickly smile upon his lips.
"I'll marry the accused myself," he
says, with a shy, self-deprecating shrug of his broad
shoulders. "I must be even with the aristo."
Everyone looks at the accused. She appears
ready to swoon. Achille Lesueur has pushed his way forward
from out the crowd at the back.
"You fool!" he shouts, in a voice
half-strangled with rage. "She has refused to marry
me!"
"The law takes no count of a woman's
whim," Gradin rejoins simply. "She is the property
of the State. Is that not so, comrades?"
He is fond of appealing to his friends: does
so at every turn of events; and they stand by him with moral
support, which consists in making a great deal of noise and
in shouting ""Vivat, Cyrano!" at every
opportunity. They are a rough-looking crowd, these comrades
of Gradin: mechanics, artisans, citizens with or without
employment, of the kind that are not safely tampered with
these days. They are the rulers of France.
Now they have ranged themselves against
Achille Lesueur: call him "bourgeois" to his face,
and quot;capitalist".
"The aristo shall wed Gradin, not
Achille! Vivat, Cyrano!" they shout.
Georges Gradin is within his rights. By
decree of the Convention, a female aristocrat becomes the
property of the State. Is Joséphine Palmier an
aristocrat?
"Yes!" asserts Gradin. "Her
name is de Lamoignan. Her father was a ci-devant--an
aristo--of the worst type."
"If she marries anyone, she marries
me!" asserts Achille.
"We'll see about that!" comes in
quick response from Gradin. "A moi, comrades!"
And before the judge or jury, or anyone there
for that matter, can recover from the sudden shock of
surprise, Gradin, with three strides of his long legs, is
over the bar of the dock, in the dock itself the next
moment, and has seized Joséphine Palmier and thrown
her across his broad shoulders as if she were a bale of
goods. To clinch the bargain, he imprints a smacking kiss
upon her cheek. Josephine Palmier's head rolls almost inert
upon her shoulders, white and death-like save for the
crimson glow on one side of her face, there where her
conquering captor has set his seal of possession. Gradin
gives a long, coarse laugh.
"She does not care for me, it
seems," he says, in his usual self-deprecating way.
"But it will come."
The comrades laugh. "Vivat,
Cyrano!" And they close in around their friend, who
once more, with one stride of his long limbs, is over the
bar of the dock, at the back of it this time, and is at once
surrounded by a yelling, gesticulating crowd.
There is indescribable confusion. Vainly does
the Attorney-General shout himself hoarse, vainly does the
Judge-President rap with a wooden mallet against his desk.
Everyone shouts, everyone gesticulates; most people laugh.
Such a droll fellow, that Cyrano, with his big nose! There
he is, just by the doorway now, still surrounded by
"the comrades". But his huge frame towers above
the crowd, and across his broad shoulder, still slung like a
bale of goods, lies the unconscious body of Joséphine
Palmier.
In the doorway he turns. His glance sweeps
over the court, above the massed heads of the throng; and
suddenly he flings something white and weighty across the
court. It lands on the desk of the Judge-President. Then,
using the inert body of the girl as a battering-ram
wherewith to forge himself a way through the fringe of the
crowd, he begins to move. His strength, his swiftness, above
all his authority, carry him through. In less than ten
seconds he has scattered the crowd and has gained ten paces
on the foremost amongst them. The five judges and the jury
are left gasping; and the Judge-President's trembling hands
mechanically finger the missile, whilst with every second
the pseudo-Gradin has forged ahead, striding with long limbs
that know neither hesitation nor slackness. He knows his way
about this Palace of Justice as no one else does probably in
the whole of Paris. In and out of corridors, through guarded
doors and down winding stairs, he goes with an easy,
swinging stride, never breaking into a run. To those who
stare at him with astonishment or who try to stop him, he
merely shouts over his shoulder:
"A female aristocrat! The spoils of the
nation! The Judge-President has just given her to me. A fine
wife, what?"
Some of them know Gradin the cobbler by
sight. A ferocious fellow with whom it is not safe to
interfere; and name of a name, what a patriot!
As for "the comrades", they have
been merged with the crowd, swallowed up, disappeared. Who
shall recognize them amongst so many?
Less than five minutes later, there is a
coming and a going, and a rushing; orders given; shouts and
curses flying from end to end, from court to corridor. The
whole machinery of the executive of the Committee of Public
Safety is set in motion to find traces of a giant cobbler,
carrying a fainting aristocrat upon his shoulders.
The Judge-President has at last mastered the
contents of that missile flung at him by the cobbler across
the court. It consists of a scrap of paper, scrawled over
with a doggerel rhyme and a signature drawn in red,
representing a small, five-petalled flower in shape like a
Scarlet Pimpernel.
But of "Cyrano" there is not a
trace, nor yet of half a dozen of his "comrades"
who had been so conspicuous in the court when first he had
snatched the aristocrat Joséphine Palmier from the
dock.
Maître Rochet, the distinguished
advocate who emigrated to England in the year 1793, has left
some interesting memoirs, wherein he gives an account of the
last days which he spent in Paris, when his fiancée,
Mademoiselle Joséphine de Lamoignan, driven by
extreme poverty to do the roughest kitchen work for a
spiteful employer, was accused by the latter of petty theft,
and stood in the dock under the charge. He knew nothing of
her plight, for she had never told him that she had been
driven to work under an assumed name; until one evening he
received the visit of a magnificent English milord,
whom he subsequently knew in England as Sir Percy Blakeney.
In a few very brief words, Sir Percy told him
the history of the past two days and of the iniquitous
accusation and trial which had ended so fortunately for
Mademoiselle de Lamoignan, and for her mother. The two
ladies were now quite safe under the protection of a band of
English gentlemen, who would see them safely across France
and thence to England.
Sir Percy had come to propose that
Maître Rochet should accompany them.
It was not until the distinguished advocate
met his fiancée again that he heard the full and
detailed account of her sufferings and of the heroism and
audacity of the English adventurer who had brought her and
her mother safely through perils innumerable to the happy
haven of a home in England.
(End.)
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Scarlet Pimpernel adventureII
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